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Titlebook: Black Masculinity on Film; Native Sons and Whit Daniel O‘Brien Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 cinematic bla

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Saving the World for White Folks? Will Smith Racialises Science Fiction as Black Man and Man in Blao match those of the highest-paid white stars. Given his earlier success in music and television, Smith’s film career, which took off in the mid-1990s, can be characterised as a form of media diversification that both plays on and, for some, plays safe with his established star image (cf. Palmer in
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