Titlebook: Black British Women‘s Theatre; Intersectionality, A Nicola Abram Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 black Briti

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书目名称Black British Women‘s Theatre影响因子(影响力)




书目名称Black British Women‘s Theatre影响因子(影响力)学科排名




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书目名称Black British Women‘s Theatre网络公开度学科排名




书目名称Black British Women‘s Theatre被引频次




书目名称Black British Women‘s Theatre被引频次学科排名




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书目名称Black British Women‘s Theatre年度引用学科排名




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书目名称Black British Women‘s Theatre读者反馈学科排名

上流社会

高原

Lineage

vocation

https://doi.org/10.1007/978-3-662-37844-1 playscripts, . (1997) and . (2000), and reflects on the attendant issues of representation and access..Finally, the conclusion looks forward, signposting possibilities for further study and stressing the need to nurture the archive.

你正派

Introduction: Intersectionality, Archives, Aesthetics,gy, including its application to minority arts, before identifying relevant collections and mapping their holdings..Registering a gap in prior scholarship, the introduction then considers the political possibilities of non-naturalistic dramatic form..Finally, the chapter introduces the five theatre companies and playwrights to be studied.

深渊

Ophthalmologist

Munirah Theatre Company,987), and . (1990). The chapter draws on a recent interview with the company members, and manuscripts and ephemera generously shared from their private collections, as well as promotional materials from performance poetry organisation Apples and Snakes.

含水层

SuAndi, then analyses SuAndi’s internationally acclaimed solo production .. Although the text has repeatedly been published, attention to an archived recording of the first performance (Institute of Contemporary Arts, 1994), held by the Live Art Development Agency, illuminates the play’s innovative stage aesthetics.

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