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Titlebook: Biography and History in Film; Thomas S. Freeman,David L. Smith Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Cinema.Popu

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楼主: Hermit
发表于 2025-3-26 21:34:51 | 显示全部楼层
,Counterexamples in Weierstraß’s work,are offered tongue-in-cheek and yet are profoundly insightful as well as comically delightful. ., though cleverly executed, is a dishonest piece of work that argues the frayed nonsense that Shakespeare was not the author of his plays, along with several equally outrageous bits of fake news. Fictiona
发表于 2025-3-27 03:00:22 | 显示全部楼层
,Counterexamples in Weierstraß’s work, love affair between Admiral Lord Horatio Nelson and Lady Emma Hamilton. The purpose of the film as propaganda, designed to encourage American intervention in Britain’s war against Nazi Germany, used the heroic efforts of Nelson’s fight against Napoleonic France to present a political argument again
发表于 2025-3-27 08:07:58 | 显示全部楼层
Technische Produkte, Naturprodukte,is usually called ‘the slave narrative’. The recovery of enslaved individuals’ experiences has often been seen as impossible, an inevitable consequence of slavery’s dehumanizing tendencies. Prior to emancipation, pro-slavery propagandists dismissed slave narratives as abolitionist propaganda. Academ
发表于 2025-3-27 10:24:02 | 显示全部楼层
Technische Produkte, Naturprodukte,ilms’ portrayal of Lincoln as a national hero is inseparable from the fantasy that if Lincoln had lived into the postwar period, the nation would have reunited peacefully and without racial conflict. . exemplified and helped to popularize that narrative, which represented congressional Reconstructio
发表于 2025-3-27 15:26:07 | 显示全部楼层
Karl-Otto Apel und die Diskursethikden Report (1957) recommended the decriminalisation of sexual activity between consenting adult males, but seven years before legislation was passed to this effect in 1967. The film’s sympathetic portrayal of Wilde during the events leading up to his trial and imprisonment for ‘gross indecency’ in 1
发表于 2025-3-27 21:21:19 | 显示全部楼层
Apels Antwort an die Postmoderne,s. This chapter explores internal records from the producers supporting conscious alterations to improve the film’s commercial potential, and shows that even knowledgeable reviewers intentionally furthered the hagiographical perspective. Holland focuses on the development of the Warner Brothers stud
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Theater im Dienste des NS-Staats,rage on its release), but rather grief and the price that Thatcher paid in her personal life for her pursuit of power. In its treatment of gender the film is in places sophisticated, showing Thatcher’s difficult compromises. However, in other places it paints a simple story of ‘the plucky young woma
发表于 2025-3-28 13:58:54 | 显示全部楼层
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