Titlebook: Biographical Misrepresentations of British Women Writers; A Hall of Mirrors an Brenda Ayres Book 2017 The Editor(s) (if applicable) and The

CAB

屈尊

,Introduction; or‚ ,,e conscientious decisions about what material to include and how to package it, often not only to ensure sales but also to promote a political agenda. This is all the more true when treating some of the most controversial women writers of the long nineteenth century. This introductory chapter to . d

MEAN

gastritis

,A Vindication of the Woman Known as Mary Wollstonecraft (1759–1797),and critical articles have represented and misrepresented, labeled and mislabeled Wollstonecraft . to such a disparate extent, it is nearly impossible to know who she was and what she believed. This chapter synthesizes the biographies, critical studies, and Wollstonecraft’s own writing with the purp

BLANK

武器

,“So Irish; So Modish, So ,, So Wild” Sydney Owenson (Lady Morgan; 1783–1859) & The Makings of a Lifse of her performativity, her mercurial nature, and her relentless physical displacement. Moreover, since Owenson self-generated a significant proportion of the material that entered biographies she anticipated would be published after her death, she held subsequent biographers in thrall.

枯萎将要

ALE

木讷

Debate

,“Stuck Through with a Pin, and Beautifully Preserved”: Curating the Life of Elizabeth Barrett Brownoming the subject of biography, of being “caught, stuck through with a pin, and beautifully preserved with other butterflies and beetles.” Over the 150 years since her death, Barrett Browning (EBB) has been repeatedly “stuck through with a pin” as biographers have reconstructed her and refashioned h