Titlebook: Biennials - art on a global scale; Sabine B. Vogel Book 2010Latest edition Springer-Verlag GmbH Wien 2010 Architecture.Art History.Biennia

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The Future: Intersex Shaping Inclusive Laws,common, a growing number of countries participated in Venice and there were more and more artists in Kassel. With the creation of further biennials worldwide, the West was for the first time no longer able to claim for itself the sole right to art centers. A ‘global art’ was making its first quiet a

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https://doi.org/10.1057/9781137349019xpensive and effective marketing instrument in disguise, especially when lesser known towns like Esslingen or Fellbach, Busan, Brisbane or Sonsbeek are able to attain supraregional media presence with relatively little funding?

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https://doi.org/10.1007/978-1-4615-9197-9“.. With these words the history of the biennials begins. Riccardo Selvatico, the mayor of Venice at the time, formulated these high expectations that were placed in art on April 6, 1894, when he announced the foundation of the Biennale di Venezia.

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The Creation of the Biennale“.. With these words the history of the biennials begins. Riccardo Selvatico, the mayor of Venice at the time, formulated these high expectations that were placed in art on April 6, 1894, when he announced the foundation of the Biennale di Venezia.

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