Titlebook: Beyond the Golden Door; Jewish American Dram Julius Novick Book 2008 Julius Novick 2008 20th century.America.Arthur Miller.bibliography.dra

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ethnology

Introduction,rs are not just novelists who happen to be Jewish: they are Jewish novelists writing about Jewish characters and Jewish themes, writers best understood in their context of Jewishness, who achieve universality—if they do achieve it—through Jewish particulars. But except for a small, devoted band of s

冷漠

The Golden Land,ident stood up in his box and shouted, “It is a great play, Zangwill!” It created a sensation in Washington, Chicago, and London. Though it had a disappointing reception in New York, it may well be the most influential play ever written about the Jews and America. But it is not, strictly speaking, a

灰心丧气

,Elmer Rice’s Multiethnic New York, his twenty-four Broadway plays, produced over four decades, . (1923) and . (1929) are taught in colleges as examples of American expressionism and naturalism, respectively, and receive occasional productions. ., revived off-off-Broadway in 2004, proved to be still a dynamic piece of theatre.

dermatomyositis

The Bronx, family in the Group Theater, that band of (mostly Jewish) brothers and sisters, struggling to bring radical idealism and Stanislavskian realism to Broadway. But of the Group’s three directors, only Odets’s friend Harold Clurman showed any interest in .! Lee Strasberg, another director, later to bec

terazosin

Arthur Miller and the Jews,), but in what sense is he a Jewish playwright? Allen Guttmann, in what is generally an admirable book about Jewish American writers, places Miller with Nathanael West and J. D. Salinger as “nominally Jewish, but … in no sense Jewish writers, nor does their work deal significantly with the process o

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