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Titlebook: Beyond Mimesis and Convention; Representation in Ar Roman Frigg,Matthew Hunter Book 2010 Springer Science+Business Media B.V. 2010 Art and

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Veronika Quinn Novotná,Jiřina Dunková first set out the problem of scientific representation and respond to a recent argument due to Craig Callender and Jonathan Cohen, which aims to show that the problem may be easily dismissed. I then introduce my account of models as props in games of make-believe and show how it offers a solution t
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Hugo Bowles,Alessia Cogo (Goldsmiths)s first part of this chapter I develop an answer to these questions based on the so-called pretense theory of literary fiction. In the second part I draw on the analogy between maps and models to develop an account of scientific representation and discuss in detail the Newtonian model of the planeta
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Hugo Bowles,Alessia Cogo (Goldsmiths)llowing three claims: (i) Scientific theories should be interpreted “at face value”. If the theory includes the sentence “there are quarks”, it should be understood as making the same kind of claim we make when we say “there are cans of beer in the refrigerator”: there is no reinterpretation. (ii) S
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Education and Exclusion in Mongoliat the University College Cork in Ireland. Visual studies, film studies, and art history were expanding, and the time seemed right for a university-wide center for the study of images. I was interested in finding out who at the university was engaged with images, so I sent an email to all the faculty
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https://doi.org/10.1007/978-3-031-14113-3CLA student volunteers spent hours depriving themselves of light, sound and human contact. They were engaged in a series of experiments involving an anechoic chamber used for psycho-physical experimentation by the Garrett Corporation, a contractor to the National Aeronautics and Space Agency (NASA).
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Boston Studies in the Philosophy and History of Sciencehttp://image.papertrans.cn/b/image/185233.jpg
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