Titlebook: Beyond Dracula; Bram Stoker’s Fictio William Hughes Book 2000 William Hughes 2000 bibliography.culture.economy.fiction.gender.gothic.knowle

LH941

书目名称Beyond Dracula影响因子(影响力)




书目名称Beyond Dracula影响因子(影响力)学科排名




书目名称Beyond Dracula网络公开度




书目名称Beyond Dracula网络公开度学科排名




书目名称Beyond Dracula被引频次




书目名称Beyond Dracula被引频次学科排名




书目名称Beyond Dracula年度引用




书目名称Beyond Dracula年度引用学科排名




书目名称Beyond Dracula读者反馈




书目名称Beyond Dracula读者反馈学科排名

Influx

Afterword,t were, is modified by its contiguity to other issues, other signifiers and other texts. Though certain features of Stoker’s fiction at times appear markedly . of each other, they are seldom truly . in terms of their contextual effect on the reader.

CLAMP

https://doi.org/10.1007/978-1-4020-8356-3ictorian and Edwardian public viewed Stoker largely as an appendage of Irving, a mythicised figure with a symbolic as well as actual role, rather than as an individual — or as an author — in his own right.

反感

牲畜栏

, Chivalry, Atavism and Masculinity,he theatrical partnership of Irving and Stoker, holding up the latter as a sort of managerial Sancho Panza to his employer, and suggesting further that this physical heroism may be paralleled by equally spectacular feats of business acumen in the future.

故意钓到白杨

The Taming of the New: Race, Biological Destiny and Assertive Womanhood,on. In his role as reader, Arrowsmith has brought into play two opposed late Victorian stereotypes. His terminology is highly technical. The adjective ‘pure’ signifies a physical and moral as well as mental and spiritual state. As one commentator on female behaviour suggested in 1890, ‘a true maiden’ should be

梯田

ventilate

Defraud

Consensus