Titlebook: Between Heaven and Hell; The Myth of Siberia Galya Diment (Assistant Professor of Russian Liter Book 1993 Palgrave Macmillan, a division o

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Pardeep Singh,Gurpreet Kaur,Daljeet Kauro several Irkutsk writers who eventually made their way to the real St. Petersburg, the comparison was hardly apt. They felt that St. Petersburg’s damp winter climate compared unfavorably with the bright sunniness and dryness of Siberian frosts, while the density of Petersburg’s population as well a

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Ikjot Saini,Sherif Saad,Arunita Jaekelof Siberia as a place of punishment appears in works by and about the Decembrists, in the writings of political prisoners and exiles from the middle and later parts of the century—for example—Dostoevsky and Korolenko, and in such travelogues as Chekhov’s “.” (“From Siberia”). But at the same time, S

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https://doi.org/10.1007/978-3-322-80076-3f the new Soviet government (Sovnarkom) during the first period of Soviet rule; and, most important, the nature of their relationship to the peasant revolts in Western Siberia during 1920 and 1921. While all the peasants of Russia presented the Bolsheviks with formidable challenges on both theoretic

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https://doi.org/10.1007/978-3-662-58020-2es and shot three of his films there, he is generally not known as a Siberian writer. Like fellow Siberian authors Viktor Astaf’ev and Valentin Rasputin, Shukshin is often (though largely erroneously) associated with the “village prose” movement in Soviet literature, which sought to depict life in t

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