Titlebook: Between Empires; Martí, Rizal, and th Koichi Hagimoto Book 2013 Koichi Hagimoto 2013 drama.English literature.gender.British and Irish Lite

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2691-3011 ook presents a comparative analysis of late-nineteenth-century literature and history in Cuba and the Philippines, focusing on the writings of José Martí and José Rizal to reveal shared anti-imperial struggles.978-1-349-46202-5978-1-137-32457-3Series ISSN 2691-3011 Series E-ISSN 2634-5196

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Cristina Battaglino,Rossana Damianoational narratives in the late nineteenth century. In order to scrutinize the meaning of this unique connection, it is necessary to look at the history of anti-imperial struggles in Cuba and the Philippines.

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,Introduction: The Phantoms of José Martí and José Rizal,ational narratives in the late nineteenth century. In order to scrutinize the meaning of this unique connection, it is necessary to look at the history of anti-imperial struggles in Cuba and the Philippines.

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Anticolonial Melodramas: Gender Relations and the Discourse of Resistance in ,s later, Rizal published ., now considered one of the most important works in Filipino literature, in which he described the oppression wrought by the Spanish friars in the colonial Philippines. Although set in different socio-historical contexts and with distinct intents (. is more overtly politica

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Cuban and Filipino Calibans Confront the Modern Empire,he world. After eight years of exile, Martí continued to busy himself as the leader of the Partido Revolucionario Cubano (Cuban Revolutionary Party) or the PRC, tirelessly preparing a new expedition for his country’s prolonged independence movement. His multiple responsibilities included collecting

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Conversations across the Pacific: Masonry, Epistolary, and Journal Writing,riend, José Alberto Izquierdo. The content of the correspondence indicates the close friendship they had established over many years (Ponce calls Izquierdo “my dear friend”). One of his purposes is to request a copy of Martí’s “Manifiesto de Montecristi”:.The letter shows that Ponce was well aware o