Titlebook: Bernard Shaw’s Fiction, Material Psychology, and Affect; Shaw, Freud, Simmel Stephen Watt Book 2018 The Editor(s) (if applicable) and The A

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细节

Book 2018cters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s and early 1880s, it also explores how materialism, feeling, and emotion are linked throughout his entire canon. At the same time, it demonstrates how Shaw’s conceptions of human subjectivity parallel

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D. P. R. Muller,J. K. Lloyd,O. H. Wolffwith affect study, as such feelings as shame, fear, anxiety and disgust are shown in the preceding chapters, at times, not only to accompany expressions of desire, but also to overwhelm such stirrings. Modernity and life in the modern metropolis, at least as Shaw represents them, cultivate such affects at least as often as they spark desire.

翅膀拍动

懦夫

K. Baerlocher,R. Gitzelmann,B. Steinmannnxieties over value, overpayment, and utility in Freud’s dreams and those of his patients. Further, particularly where the prospect of marriage is concerned in Shaw’s novel, the intrusion of social class and money frequently catalyzes blushing and other physiological signs of powerful feelings and deep emotion.

继承人

,Cashel Byron’s Blush—And Others,nxieties over value, overpayment, and utility in Freud’s dreams and those of his patients. Further, particularly where the prospect of marriage is concerned in Shaw’s novel, the intrusion of social class and money frequently catalyzes blushing and other physiological signs of powerful feelings and deep emotion.

入会

cinder

Adj异类的

https://doi.org/10.1007/978-94-009-9215-3s, this chapter, first, outlines the premises of this undertaking and then, second, deploys Shaw’s 1905 story “The Theatre of the Future” as a primer for later readings of the five novels that Shaw wrote between 1879 and 1883.