Titlebook: Bernard Shaw, W. T. Stead, and the New Journalism; Whitechapel, Parnell Nelson O‘Ceallaigh Ritschel Book 2017 The Editor(s) (if applicable)

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Book 2017es within militarism, the catastrophic .Titanic. sinking, and the Great War. Through Shaw’s journalism that undermined the popular press’ shock efforts that prevented rational thought, Shaw endeavored to promote clear thinking through the immediacy of his critical journalism. Arguably, Shaw saved the free press.

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2634-5811 odernization of the Anglophone press.Ranges across several kThis book explores Bernard Shaw’s journalism from the mid-1880s through the Great War—a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s jou

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Introduction,to counter or offer a reasoned response to Stead’s, and the Stead-like journalism that obscured facts in its quest to sensationalize for popularity. The Introduction explains that Shaw’s journalistic example of criticizing and questioning society, whether it was the absurd popular shock press of Ste

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Stead and the Whitechapel Frenzy,talize on the Stead style of sensationalism and shock journalism. Into this atmosphere in August 1888 emerged the serial murderer working in the Whitechapel district of East London, and neighboring areas, eventually known as Jack the Ripper—a name most likely generated by a zealous disciple of Stead

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Parnell, Disarmament, and the Morality Frenzy,hildren. Again Shaw’s voice rings out at a monumental moment in the continued development of London’s New Journalism. The chapter also reveals that while many of Shaw’s contemporaries (W. B. Yeats, J. M. Synge, Lady Gregory, and James Joyce among them), made much of Parnell’s fall and used it to ini

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Stead, Russia, and ,,cussed within the full context of the ship: its sinking, the press coverage, and the emerging facts that were largely ignored by the popular press. Shaw’s . journalism was masterful, which forced the British Board of Trade Inquiry into the ship’s loss to consider points raised by Shaw. Reaching towa

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https://doi.org/10.1007/978-3-540-77739-7to counter or offer a reasoned response to Stead’s, and the Stead-like journalism that obscured facts in its quest to sensationalize for popularity. The Introduction explains that Shaw’s journalistic example of criticizing and questioning society, whether it was the absurd popular shock press of Ste

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