Titlebook: Benvenuto Cellini; Sexuality, Masculini Margaret A. Gallucci Book 20031st edition Palgrave Macmillan, a division of Nature America Inc. 200

填满

不理会

TOXIC

,Cellini’s Poetics II: The ,iting about the . underscore the influence of autobiography or biography, especially those of earlier or contemporary artists. Dino Cervigni remains the expert in this area, arguing for the importance of earlier autobiographical writings of artists; Jonathan Goldberg has noted the importance of spir

lactic

小口啜饮

Conclusion,nd Madame d’Étampes at Francis’s court at Fontainebleau.. The tale contains a clever pun by Cellini on ., a verb denoting “to supply” or “furnish,” but here filled with sexually charged connotations. Alvarotti narrates a contentious clash between Cellini and Madame d’Étampes in which she berates him

crescendo

我不怕牺牲

Narcissist

t sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day.978-1-4039-6896-8978-1-137-12208-7

逢迎白雪

Book 20031st editionstory, and gender and sexuality studies, this book places Cellini and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day.

tic-douloureux