Titlebook: Ben Jonson’s Theatrical Republics; Julie Sanders Book 1998 Julie Sanders 1998 bibliography.Commonwealth.concept.edition.knowledge.novel.pl

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https://doi.org/10.1007/978-981-15-2180-5diences and to control the meanings of his texts. Those meanings have themselves frequently been read as absolutist in their sympathies.. Jonson’s ‘late’ plays have, however, a particular investment in questions of community, from the fractious dinner-party guests at Lady Loadstone’s house in . (163

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Elements of the Theory of Boson Fock Spaces, notions of republicanism in the Jonsonian text and in his ‘theatrical republics’ shade very obviously into notions of community and the communal. Perhaps the plural ‘communities’ would be a more accurate term since Jonson — specifically in his generic variety (poetry, prose, criticism, drama, and m

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The Commonwealth of Hell: s monopolies through the characters of Merecraft and Lady Tailbush. In doing so it touches on particular anxieties about the Jacobean policy of fen drainage, the treatment of which serves to highlight the Jonsonian interest and investment in questions of community which this third section as a whole will explore in Jonson’s later drama.