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Titlebook: Ben Jonson: Authority: Criticism; Richard Dutton Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 bibliograph

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发表于 2025-3-21 18:47:48 | 显示全部楼层 |阅读模式
期刊全称Ben Jonson: Authority: Criticism
影响因子2023Richard Dutton
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图书封面Titlebook: Ben Jonson: Authority: Criticism;  Richard Dutton Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 bibliograph
影响因子Ben Jonson: Authority: Criticism is the first book-length study of Jonson‘s literary criticism, and examines the ways that criticism defines his unprecedented role as a professional author. Each chapter explores a different facet: ‘The Lone Wolf‘ looks at Jonson‘s role in creating a critical discourse to respond to a new literary market-place; ‘Poet and Critic‘ explores the relationship between his ‘creative‘ and ‘critical‘ writing; ‘Poet and State‘ traces his accommodations as an author with censorship and other forms of authority; ‘The Laws of Poetry‘ relates his appeals to classical precedent to his insecurity in a world where literary conditions were very different from those of ancient Greece and Rome; ‘Jonson and Shakespeare‘ examines the old supposed rivalry as evidence of competing definitions of authorship. Throughout Richard Dutton suggests how Jonson‘s criticism set the terms for the profession of letters in England for more than a century. Finally an appendix provides a representative selection of Jonson‘s critical work.
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Poet and State,structive because it concerned — literally — the representation of authority. The play is dominated by Asper, whose ‘character’ is defined in the printed text: ‘He is of an ingenious and free spirit, eager and constant in reproof, without fear controlling the world’s abuses. One, whom no servile hop
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,The ‘Laws’ of Poetry,etween Jonson’s sense of his place as an author within the state (the law of the land) and his respect for the formal ‘laws’ of literature, often (though not always) derived from classical precedent. We have also observed that this respect, although the emphasis might vary from context to context, w
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Jonson and Shakespeare,mpany (the Lord Chamberlain’s/King’s Men) staged six of Jonson’s plays . and .) while Shakespeare was alive, and Jonson records that Shakespeare himself acted in the first and third of these. But what we like to think we know beyond this (the mythology) is deeply embedded in the literary culture of
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Jonson and Shakespeare,Britain, and reveals a good deal of what later ages made of what was — only belatedly and for a very mixed bag of reasons — hailed as a golden age of English letters. In assessing Jonson’s criticism of Shakespeare, we need carefully to steer round the very potent constructions that those later ages have placed upon their relationship.
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Book 1996 the old supposed rivalry as evidence of competing definitions of authorship. Throughout Richard Dutton suggests how Jonson‘s criticism set the terms for the profession of letters in England for more than a century. Finally an appendix provides a representative selection of Jonson‘s critical work.
发表于 2025-3-23 02:51:54 | 显示全部楼层
The Measurement of Income Inequality,Britain, and reveals a good deal of what later ages made of what was — only belatedly and for a very mixed bag of reasons — hailed as a golden age of English letters. In assessing Jonson’s criticism of Shakespeare, we need carefully to steer round the very potent constructions that those later ages have placed upon their relationship.
发表于 2025-3-23 06:17:45 | 显示全部楼层
Book 1996cedented role as a professional author. Each chapter explores a different facet: ‘The Lone Wolf‘ looks at Jonson‘s role in creating a critical discourse to respond to a new literary market-place; ‘Poet and Critic‘ explores the relationship between his ‘creative‘ and ‘critical‘ writing; ‘Poet and Sta
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