Titlebook: Beckett’s Masculinity; Jennifer M. Jeffers Book 2009 Jennifer M. Jeffers 2009 Beckett.fiction.Samuel Beckett.British and Irish Literature

赔偿

以烟熏消毒

,“The Churn of Stale Words in the Heart Again”: Beckett’s Final Return, the one hand, truncating and paring his prose (as well as his drama) down to near-nothingness is a stylistic and aesthetic choice by Beckett. On the other hand, the stripping down of sentences and images may also be a way for him to represent Anglo-Irish community’s cultural decline and historical erasure.

雇佣兵

Vision and Multi-modal Transformers but only belatedly, in its repeated . of the one who experiences it” (italics in original).. As we know, Caruth argues that one can be “possessed of an image or event” that one then is compelled to repeat..

伟大

依法逮捕

Introduction,ooked at the world as masculine; in fact, we have looked . this transparency as if it were .. In regard to masculinity, Beckett scholars, too, have looked through Beckett’s texts as universal and transparent.

俗艳

,Traumatized Masculinity and Beckett’s Return, the theme of displacement and return through the problem of masculinity and the perversion of gendered normatives. Beckett was just ten years old at the time of the Easter Uprising in 1916. As Beckett passed from childhood to early puberty and into young adulthood, Ireland was in the throes of the

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lavish

NAIVE

苦笑

Rewinding ,: The Return of Anglo-Irish Masculinity,olding of Beckett’s drafts of . to argue that he embellishes each succeeding version to include more personal details of his Irish Protestant childhood and young adulthood; once again, the return to personal memories shows that Beckett remains possessed by a dispossession of masculine national ident