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Titlebook: Beckett’s Imagined Interpreters and the Failures of Modernism; Nick Wolterman Book 2022 The Editor(s) (if applicable) and The Author(s), u

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Springer Tracts in Advanced Roboticslassical economics in “The Notion of Expenditure.” Bataille’s essay implicitly resists all-encompassing social theories and resonates with Beckett’s resistance to postwar literary tastes rooted in Charles de Gaulle’s postwar triumphalism, tastes in which Beckett parodies crude transactional logics a
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https://doi.org/10.1007/978-3-030-92521-5me by reaching back to .’s techniques for self-reflexively encoding notions of authorship and authority into the work that are ultimately revealed to be nonsensical. These techniques are rooted in mercurial dadaist modes of self-commentary exemplified by Tzara’s “Dada Manifesto 1918,” pieces include
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Work Planning and Scheduling in Farminghow its publishers, editors, dealers, commentators, and celebrity endorsers appeal to specific races, genders, classes, and sexes in ways that shape its social relevance today. The need for such research is highlighted through a brief discussion of the publishing problems encountered by Lucy Ellmann
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Introduction, throughout studies of how his work complicates binary oppositions and encourages attention to its non-propositional features in order to affect audiences in visceral ways. Such studies overlap with reconceptualizations of modernism as a social position that in critiquing perceived, dominant expecta
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,Impossible Anti-values: Beckett’s Postwar Writing and the World of Profit and Loss,lassical economics in “The Notion of Expenditure.” Bataille’s essay implicitly resists all-encompassing social theories and resonates with Beckett’s resistance to postwar literary tastes rooted in Charles de Gaulle’s postwar triumphalism, tastes in which Beckett parodies crude transactional logics a
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