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Titlebook: Beckett and Eros; Death of Humanism Paul Davies Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 Beckett.Imagi

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发表于 2025-3-21 18:48:30 | 显示全部楼层 |阅读模式
期刊全称Beckett and Eros
期刊简称Death of Humanism
影响因子2023Paul Davies
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图书封面Titlebook: Beckett and Eros; Death of Humanism Paul Davies Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 Beckett.Imagi
影响因子The decade since Beckett‘s death has seen new interests in the erotic sweeping through our culture, acting in uneasy counterpoint to its established humanistic infrastructure and opening new questions about the significance of sexuality. Surprisingly or not, Beckett has startling further light to throw on the erotic phenomenon variously but insistently recognised in our time. This book is the first to propose a ‘mythopoetics of sex‘ with which to explore Beckett‘s work as a whole.
Pindex Book 2000
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https://doi.org/10.1007/978-3-642-11762-6f mythic capacity, which is an intermediary communicator or isthmus between the cerebral and the emotional; between philosophy and creativity; between the discipline of analysis and the effects of art. A mythograph is a chart of the world of soul, the nearest thing to a chart, because soul, emotion,
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Jochen Brasch,Uta-Christina Hiplerry, literary theory and in higher education curricula. But in total contrast, the way in which his texts seem to inscribe their world according to the axiom ‘Know Culture equals No Culture’ has no parallel in modern theory. We shall return to this paradox.
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Jochen Brasch,Uta-Christina Hipler by referring to the inner aspects of Buddhism. The end of humanism, which we have now reached, can be witnessed possibly at its clearest in the effect of Beckett’s creative work. The power of that work is indeed in direct proportion to the disposal of humanist norms which Beckett continued to manag
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Fungal Diseases of Fish and Shellfishrs of human sexuality on the one hand, and matters of concern to spirituality on the other. The only other significant convergence point is love. It may seem odd to spell out that flesh and spirit, each classically at war with the other and divided assiduously from the other by a culture of ethics,
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Human and Artificial Rationalitiestary. The moment we see this work alongside Beckett’s biography, the inexhaustible comparisons are nevertheless not fixable, and it is not my intention to try to fix them. There are four major insights which this play tells of. These are not related to the plot proper, a plot which is simply told as
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