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Titlebook: Beauty, Ugliness and the Free Play of Imagination; An Approach to Kant‘ Mojca Küplen Book 2015 Springer International Publishing Switzerlan

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发表于 2025-3-21 18:22:17 | 显示全部楼层 |阅读模式
期刊全称Beauty, Ugliness and the Free Play of Imagination
期刊简称An Approach to Kant‘
影响因子2023Mojca Küplen
视频videohttp://file.papertrans.cn/182/181962/181962.mp4
发行地址Presents a solution to the paradox of ugliness, namely how an object that is displeasing can retain our attention and be greatly appreciated.Connects ugliness with Kant’s theory of aesthetic ideas and
学科分类Studies in German Idealism
图书封面Titlebook: Beauty, Ugliness and the Free Play of Imagination; An Approach to Kant‘ Mojca Küplen Book 2015 Springer International Publishing Switzerlan
影响因子.This book presents a solution to the problem known in philosophical aesthetics as the paradox of ugliness, namely, how an object that is displeasing can retain our attention and be greatly appreciated. It does this by exploring and refining the most sophisticated and thoroughly worked out theoretical framework of philosophical aesthetics, Kant’s theory of taste, which was put forward in part one of the Critique of the Power of Judgment. The book explores the possibility of incorporating ugliness, a negative aesthetic concept, into the overall Kantian aesthetic picture. It addresses a debate of the last two decades over whether Kant‘s aesthetics should allow for a pure aesthetic judgment of ugliness. The book critically reviews the main interpretations of Kant’s central notion of the free play of imagination and understanding and offers a new interpretation of free play, one that allows for the possibility of a disharmonious state of mind and ugliness..In addition, the book also applies an interpretation of ugliness in Kant’s aesthetics to resolve certain issues that have been raised in contemporary aesthetics, namely the possibility of appreciating artistic and natural ugliness an
Pindex Book 2015
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Introduction,how named Kramer. The couple is arguing about the aesthetic value of the art work. The woman is pleased by the painting, finds it beautiful, and expressive of spiritual ideas, whereas the man finds it displeasing, dreadful, and ugly. Surprisingly, however, they are both moved by the painting, admire it and cannot look away from it.
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https://doi.org/10.1007/978-3-030-17809-3atisfaction without any interest” (KU 5:211, p. 96). On the face of it, Kant’s definition of taste includes both; positive and negative judgments of taste. Moreover, Kant’s term ‘dissatisfaction’ implies not only that negative judgments of taste are those of the non-beautiful (lack of pleasure), but
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https://doi.org/10.1007/978-3-030-17809-3at none of the proposed solutions were successful, mainly due to Kant’s unsatisfactory formulation of the concept of free harmony constitutive of judgments of taste (of the beautiful). Given this, a positive explanation of ugliness and of the notion of . cannot proceed without first settling on a pr
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Trafficking in Persons in Tanzaniain Lorand, . 52(4): 399–406, 1994). This turns out to be particularly true for beauty and its opposite aesthetic concept, ugliness, in Kantian aesthetics. Since Kant’s explanation of judgments of taste is based exclusively on the notion of free harmony, constitutive of judgments of the beautiful alo
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