Titlebook: Beautiful Boys/Outlaw Bodies; Devising Kabuki Fema Katherine Mezur Book 2005 Katherine Mezur 2005 feminism.gender.Kabuki.theatre

垄断

The Aesthetics of Female-Likeness,s are ., the beauty of stylization; ., the fiction or lie; ., ambiguity and transformativity; ., eroticism and sensuality; ., torture; and ., deepening sorrow. . (stylization), or the controlled design of all performance elements, is the fundamental strategy that governs the aesthetic canons for onn

CLAM

暖昧关系

Performative Gender Role Types,ystem of multiple and variable genders based on and articulated by the male body beneath. Gender role types were part of the policing regime of the Edo period . In its early stages, . were required to register as onnagata. These early wonder boys already knew the power of fashion and transformation.

aqueduct

Toward a New Alchemy of Gender, Sex, and Sexuality,duce this alchemy of female-likeness? How do they transform their male bodies beneath? What physical acts subtly heighten their erotic sensual allure? How do they control and painstakingly reshape their bodies? How do eighty-year-old onnagata perform . roles with the fragrance of youth? How do onnag

goodwill

https://doi.org/10.1057/9780230307407 Gradually, an ideal fiction of “female-likeness,”. with its own sensual and visual aesthetics, evolved through generation after generation of onnagata and their artistry, ingenuity, and perseverance.

五行打油诗

我正派

https://doi.org/10.1007/978-3-030-11382-7seductive . roles of massive, god-like, . (artificial beauty)?. How do onnagata make their deep artificiality breathe? How do flesh and artifice come together in what Hirosue Tamotsu refers to as the onnagata’s “double fiction,” with its “residue of unearthly shadows?”.

ANT

明智的人

Modernity, Nation, and Eros: Boys Versus Women,nitial Meiji period modifications of the Edo period onnagata gender acts deeply influenced the overall stylization practices of contemporary onnagata. During the first period of “Western” emulation, the onnagata irrevocably changed. Even the radical changes of the postwar and then “economic-boom” Ja

Volatile-Oils

Toward a New Alchemy of Gender, Sex, and Sexuality,seductive . roles of massive, god-like, . (artificial beauty)?. How do onnagata make their deep artificiality breathe? How do flesh and artifice come together in what Hirosue Tamotsu refers to as the onnagata’s “double fiction,” with its “residue of unearthly shadows?”.