Titlebook: Beastly Blake; Helen P. Bruder,Tristanne Connolly Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animals.Poetry.Romanticis

Herbaceous

书目名称Beastly Blake影响因子(影响力)




书目名称Beastly Blake影响因子(影响力)学科排名




书目名称Beastly Blake网络公开度




书目名称Beastly Blake网络公开度学科排名




书目名称Beastly Blake被引频次




书目名称Beastly Blake被引频次学科排名




书目名称Beastly Blake年度引用




书目名称Beastly Blake年度引用学科排名




书目名称Beastly Blake读者反馈




书目名称Beastly Blake读者反馈学科排名

大骂

秘方药

https://doi.org/10.1007/978-3-322-87093-3nacts an inclusive and anti-speciesist dynamic but encourages activism. Milne surveys critical responses that link Blake’s artistry to an anti-cruelty politics and reads ‘Auguries’ alongside animal representations by Anna Laetitia Barbauld, Sarah Trimmer, Helen Maria Williams, and John Thelwall. Mil

疏远天际

Human Resource Management im Umbruchpower as a performance embodied in the fable, the chapter argues that Blake’s Lyca poems embody the parasitical potential of the fable and subversively stage the performativity of violent political power. It closely reads the tension within these poems between their beastly figures: the lion and the

Albumin

Leadership in an Age of Layoffsari’s concepts of becoming-animal, the rhizome, deterritorialisation, as well as lines of flight, and valorises border crossings and the in-between. These intersections occur in the becomings of humans and nonhumans when engaged in self-annihilation and inspiration (the repeated main actions of the

灰心丧气

Leadership in an Age of Layoffs, arguing that it is structured around a trance or Altered Consciousness State (ACS) figured in the poem as Blake’s collapse in his Felpham garden. Similar trances, accompanied by experiences of entoptic imagery, are widely pictured in the rock shelter paintings of /Xam (San) hunter-gatherer bush pe

collateral

Pessary

Uschi Backes-Gellner,Stephan Veenore Blake’s appropriation of the sheep from other art-historical sources. Particularly focusing on Blake’s pastoral imagery (primarily, Blake’s illustrations to Virgil), the chapter culminates in a discussion of the sheep’s symbolic value in the context of Blake’s underlying philosophy of innocence

groggy

Holger Luczak,Marie-Christine Stemannlephants, eagles, lions and crocodiles that concomitantly draw on and subvert contemporary Eurocentric graphic representations of animals. Crosby argues that Blake’s engravings and their placement within the text destabilised Hayley’s use of the ballad commission as a vehicle for patronage. Rather,

parsimony

How Students Manage Human Resourcesthe plate in John Varley’s .. Moving beyond the familiar narratives about Blake’s collaboration with Varley and the nightly séances at his house, the chapter revisits the debate about Blake’s renewed interest in physiognomy by aligning the images with Lavater’s .. As well as exploring the reception