Titlebook: Baader-Meinhof and the Novel; Narratives of the Na Julian Preece Book 2012 Julian Preece 2012 Europe.fiction.history.history of literature.

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Book 2012The Baader-Meinhof Group and other violent underground organizations have provided material to many novels by leading German and international writers. This book is the first to examine this rich literary corpus, treating it as a political unconscious which expresses submerged anxieties and moral blind-spots in Europe‘s most powerful country.

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https://doi.org/10.1057/9781137070272Europe; fiction; history; history of literature; Narrative; nation; novel; revolution

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Studies in European Culture and Historyhttp://image.papertrans.cn/b/image/180178.jpg

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Little

https://doi.org/10.1007/978-3-030-41716-1this chapter.. Theodor Fontane’s state-of-the-nation novel . (1898) is my initial point of comparison, because of its symbolic use of a large family house and the connections that Fontane (1819–1898), the great chronicler of Bismarckian Prussia, makes between local and global events. Like Heinrich B

Obituary

https://doi.org/10.1007/978-3-030-41716-1e far-reaching battles were fought over the meaning of the national culture after the cataclysm brought about by Nazism. In literature, a crisis of tradition was compounded by the rediscovery of past radical periods, such as the pre-1848 . or even the . from the decade of young Goethe. A contest for

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Klaus Evertz,Ludwig Janus,Rupert Lindererman . featuring Baader-Meinhof terrorists did not begin to get written with that principal aim until recently. More than 40 percent of Baader-Meinhof novels published between 2000 and 2010 were in the popular genres, however. There also have been a number of similarly styled popular genre films, a

Institution

https://doi.org/10.1007/978-1-4899-1456-9divided Germany, overwhelmingly was produced by British or American authors. Such novels often confront a compromised individual with a final set of deep moral choices in the midst of a crumbling order. The questions that they address are universal rather than specifically German. Today there is a t

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Ron Acierno,Michel Hersen,Robert T. Ammermanracters’ remorse for their association with violence. German political fiction as a whole enjoyed a renaissance in the decade of the 2000s. Urban guerillas battling the system come in a number of guises. They may be embittered former Stasi operatives, as in the surreal social panorama . by André Kub