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Titlebook: Art and Culture in the Multiverse of Metaverses; Immersion, Presence, James Hutson Book 2024 The Editor(s) (if applicable) and The Author(s

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楼主: risky-drinking
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Conclusiont emphasizes the transformative potential of extended reality (XR) and other digital tools in fostering more inclusive and interactive engagements with cultural heritage. The narrative reiterates the importance of these technologies in democratizing access to cultural experiences, enabling a broader
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https://doi.org/10.1007/978-3-642-12718-2e so-called metaverse, highlighting their utility in documenting, preserving, and making globally accessible various cultural heritage sites and artifacts. The author delineates the evolution and current state of XR applications, emphasizing their role in enhancing accessibility to far-flung monumen
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Applications to Bianchi-type universes,tion practices, highlighting how these tools not only protect but also extend the life and reach of cultural artifacts. It delves into the challenges and opportunities presented by the digital preservation of art and cultural heritage, including issues of authenticity, accessibility, and the ethical
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Applications to Bianchi-type universes, digital spaces. It discusses the role of avatars in embodying cultural, racial, and gender identities, and how these digital personas influence users’ experiences and interactions in virtual realms. The narrative highlights the transformative potential of avatars in transcending physical limitation
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https://doi.org/10.1007/3-540-05741-2t emphasizes the transformative potential of extended reality (XR) and other digital tools in fostering more inclusive and interactive engagements with cultural heritage. The narrative reiterates the importance of these technologies in democratizing access to cultural experiences, enabling a broader
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