Titlebook: Apes and Monkeys on the Early Modern Stage, 1603–1659; Teresa Grant Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu

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Terrace

2634-5919 real monkeys and actors dressed up as apes.Argues that the .This book is the first full-length study of apes and monkeys on the early modern stage. It broadens the scope of existing scholarship by situating the apes glimpsed in Shakespeare’s plays in the wider context of the many uncelebrated uses

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https://doi.org/10.1007/978-3-663-00188-1ugh its resonances in the middle ages and onto the Shakespearean stage. It shows how parallels between apes and players, drawn out in Ovid and in early modern anti-theatrical writings, stimulated playwrights to interrogate the congruences, sometimes playfully and sometimes seriously.

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摘要

-tue: Being a Man,rn stage to reinforce and threaten a (top) human’s sense of self. It looks at male sexual incontinence, bullies, slaves and fettered apes and shows how playwrights used the relational position that the monkey or ape inhabited in opposition to man to interrogate what it meant to be human.

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