Titlebook: Alessandro Scarlatti; Das kompositorische Sabine Ehrmann-Herfort,Gerhard Kuck Book 2024Latest edition Bärenreiter-Verlag Karl Vötterle Gmb

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,Alessandro Scarlatti – »der fruchtbarste und originellste Komponist von Kammerkantaten«,t different sources..Focusing on collectors and historiographers active in Italy and elsewhere during the 18. and 19. centuries, the first part of the essay analyses the mutability of opinion on Alessandro Scarlatti’s cantatas. A reflection on the current dissemination of Scarlatti’s manuscripts in

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Alessandro Scarlattis geistliche Musik,erior compared to the secular repertoire. However, Scarlatti wrote church compositions throughout his life. This essay is divided into five parts. The first concerns the relationship between the composer and the musical institutions in which he worked, between Rome and Naples, and the different cont

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Die spekulative Kunst des Komponierens Scarlatti und das polyphone Madrigal,ntatas, and for setting Guarini’s madrigal »Cor mio deh non languire« to music. Einstein would only have known this one madrigal, printed by Giovanni Battista Martini in 1775 in his .. Since then, Scarlatti’s eight extant madrigals have been published, and their bibliographical provenance has been p

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