Titlebook: A Rhetoric of Aesthetic Power; Moving Forms Christian Kock Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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,Einführung und grundlegende Konzepte,What it means to talk about . attractions in an aesthetic artifact is that the attractions are based on perceived, immanent . within the artifact.

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Introduction,The book takes a rhetorical approach. Put in the simplest possible way, this implies that I shall be concerned with what literary texts and other aesthetic artifacts ., or what they . do, over and above—as in a more prevalent paradigm in the humanities—what they ..

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What Moves Us?,In the last scene of Shakespeare’s ., the king enters, shattered, bearing in his arms his dead daughter Cordelia, barbarously hanged.

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Affective Attractions,“An aesthetic rhetoric counts on, attends to, and takes into account the body and its senses”—this assertion by the rhetoricians (Poulakos and Whitson, Quarterly Journal of Speech 81:378–385, 1995), 382) could be a motto for the first of the three main categories of moving forms that are to be discussed in this book.

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Structural Attractions,What it means to talk about . attractions in an aesthetic artifact is that the attractions are based on perceived, immanent . within the artifact.

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A Rhetoric of Aesthetic Power978-3-031-68970-3Series ISSN 2947-5147 Series E-ISSN 2947-5155