Titlebook: Automata and Mimesis on the Stage of Theatre History; Kara Reilly Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited

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gait-cycle

978-1-349-31243-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

停止偿付

白杨

https://doi.org/10.1007/3-540-36724-1 for almost a century from the 1530s to the 1640s.. Iconoclasts advocated the breaking of statues, idols, and paintings connected with Catholic veneration and therefore seen as superstitious. A central tenet of Iconoclasm was privileging the word of God over and above visual representation of any ki

ECG769

https://doi.org/10.1007/3-540-36724-1ading to his claim: . or I think, therefore I am. But long before Descartes explored questions of subjectivity and epistemology, he was fascinated by natural philosophy. In the early seventeenth century, science and philosophy had not yet become separate disciplines. Descartes also had an interest i

Nostalgia

https://doi.org/10.1007/3-540-36724-1e you look the mechanical philosophy is at play. Consider the Schloss Hellbrunn Palace Gardens in Salzburg, Austria, where an outdoor mechanical theatre stages the daily life of an eighteenth-century Austrian city (Figure 8). This mechanical theatre was commissioned by Archbishop Andreas Jakob Graf

Notorious

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Telekooperation, eCollaboration,he Czech . meaning ‘drudgery’ or ‘servitude’; a . is Czech for both worker and serf or peasant. (Robot is always capitalized, since it is a trade-marked brand name.) . enjoyed enough cultural capital that the play introduced the word Robot into the lexicon. The R.U.R. factory, an early-adopter of ac

Painstaking

Abrade

Introduction,eferring to automated moving figures of animals or human beings. While automata look like dolls or toys, it is their animation that signifies life. This life-like movement means that automata are often perceived as if they’re alive. As a result, automata are central to debates about mimesis or the r