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Titlebook: Autofiction in English; Hywel Dix Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Life writing.Memoir.Autobiography.Interte

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发表于 2025-3-21 18:44:54 | 显示全部楼层 |阅读模式
期刊全称Autofiction in English
影响因子2023Hywel Dix
视频video
发行地址Applies a concept that has previously only had significant currency in French literary theory to literature in English.Explores characteristic features and definitions of autofiction from a theoretica
学科分类Palgrave Studies in Life Writing
图书封面Titlebook: Autofiction in English;  Hywel Dix Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Life writing.Memoir.Autobiography.Interte
影响因子This innovative volume establishes autofiction as a new and dynamic area of theoretical research in English. Since the term was coined by Serge Doubrovsky, autofiction has become established as a recognizable genre within the French literary pantheon. Yet unlike other areas of French theory, English-language discussion of autofiction has been relatively limited - until now.. .Starting out by exploring the characteristic features and definitions of autofiction. .from a conceptual standpoint, the collection identifies a number of cultural, historical and theoretical contexts in which the emergence of autofiction in English can be understood. In the process, it identifies what is new and distinctive about Anglophone forms of autofiction when compared to its French equivalents. These include a preoccupation with the conditions of authorship; writing after trauma; and a heightened degree of authorial self-reflexivity beyond that typically associated with postmodernism...By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up n
Pindex Book 2018
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Autofiction in English978-3-319-89902-2Series ISSN 2730-9185 Series E-ISSN 2730-9193
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Das Arbeitsrecht der Arbeitnehmer,lophone writing and beyond. Does this mean autofiction has ‘arrived’ as a literary genre? Could it be even more significant: an artistic trend? This chapter gives an overview of how autofiction came about, how it evolved and what its possible definitions/interpretations are today. The author discuss
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Leopold Schaäfer,Rudolf Lehmanny in third-person autobiography-fiction blends, narrator and protagonist may sound alike—presumably because the author identifies with both. Such breaches in the areas of mood and voice can be exploited by design. In her ‘autobifography’ . (1996), Christine Brooke-Rose employs a range of techniques—
发表于 2025-3-23 04:52:10 | 显示全部楼层
Leopold Schaäfer,Rudolf Lehmanndrich, Vladimir Nabokov and Elfriede Jelinek among others, Jensen argues that the unique genre tensions of autofiction provide a space for responding to Dawes’s question, detailing the rhetorical strategies enabling such works to generate empathy. Drawing upon Sianne Ngai’s definition of the ‘intere
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