Titlebook: Authors, Factions, and Courts in Angevin England; A Literature of Pers Fabrizio De Falco Book 2023 The Editor(s) (if applicable) and The Au

Exuberance

施舍

迅速飞过

Starting at the Bottom: The Authorsany courtiers sought to find a space for autonomous action. Writing was an attempt to intervene, an action implicit in the role of the author and one that was obliged to meet readers’ expectations. To do so, authors had to play by precise rules and act within certain spaces.

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Surviving in the Upside-Down: Henry II’s Courtiers under Richard I’s Reign (1189–1199)ng in a multipolar space and managing multiple literary forms. The mobility of courtiers as Walter Map, Gerald of Wales, and Peter of Blois reveal how they wrote in an effort to make contact with the circles of whoever was positioned to gain the ear of the king or, if necessary, take a stand against him.

MOAN

Moving Text into Action: Local Careerism and International Crisiss death as well. When their ambitions were decided by their belonging to the circles of John’s ., crisis in Angevin space engaged both authors’ hopes and confronted them with a difficult choice: to step back or continue to fight.

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laparoscopy

https://doi.org/10.1007/978-3-0348-5301-9rs sought to achieve distinct aims. Often seen as an archetype of the royal court, the twelfth-century English court is thus an excellent case for re-thinking courtly writing. The synergy between the Angevin kings and their courtiers created a milieu in which texts worked as mediators of personal ambitions, expressed through courtly literature.

Ligneous

https://doi.org/10.1007/978-3-663-01806-3ing it a private exercise of style in the eye of those who read it. Map’s biography shows him to be a man with multiple competencies who was intensely involved in the affairs of his times. The intersection between his fields of expertise, his aims, and the larger picture of Angevin England is the key to unlocking the messages conveyed in his work.

Agronomy