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Titlebook: Australian Animation; An International His Dan Torre,Lienors Torre Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 cartoons.

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发表于 2025-3-21 19:11:07 | 显示全部楼层 |阅读模式
期刊全称Australian Animation
期刊简称An International His
影响因子2023Dan Torre,Lienors Torre
视频video
发行地址Constitutes the first comprehensive study of the fascinating history of Australian animation.Provides extensive insights into both Australian and international animation.Written in a highly accessible
图书封面Titlebook: Australian Animation; An International His Dan Torre,Lienors Torre Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 cartoons.
影响因子This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history..
Pindex Book 2018
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书目名称Australian Animation影响因子(影响力)




书目名称Australian Animation影响因子(影响力)学科排名




书目名称Australian Animation网络公开度




书目名称Australian Animation网络公开度学科排名




书目名称Australian Animation被引频次




书目名称Australian Animation被引频次学科排名




书目名称Australian Animation年度引用




书目名称Australian Animation年度引用学科排名




书目名称Australian Animation读者反馈




书目名称Australian Animation读者反馈学科排名




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Handbuch der Physik‘ Encyclopedia of Physicslevision was first introduced in Australia). Some of the animators discussed include Dick Ovenden, the Owen Brothers, Eric Porter, and Dusan Marek. It was during this era that Australian animation oscillated between isolationism and the acknowledgement of the growing influence of overseas studios, i
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La luminescence nocturne (The Nightglow),; he produced nearly a dozen other animated features, plus a number of animated television series, which included ., featuring the iconic Australian koala character. Many of these films featured live-action backgrounds which highlighted the Australian landscape in a way that no previous animation ha
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https://doi.org/10.1007/978-3-662-07450-3 of animation in Australia, surveying a large number who have worked between the 1960s and the present day. Arguably, it is within these independent animations that one can also witness some of the strongest expressions of Australian culture and thematic content.
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