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Titlebook: Austen After 200; New Reading Spaces Kerry Sinanan,Annika Bautz,Daniel Cook Book 2023 The Editor(s) (if applicable) and The Author(s), unde

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发表于 2025-3-25 07:06:14 | 显示全部楼层
Virtual Sociability and the Online Austen Classroom,n-centered online reading/writing community is precisely the place to address the relationship between contemporary sociability and close readings of Austen’s writings today because online spaces, such as university classes, devoted to the appreciation and study of the author are places where studen
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Empire, and the Classics,nd Rome. This chapter argues that in ., Austen draws upon Ovid’s myth of Pygmalion in Book 10 of the ., the tale of a sculptor who brings his statue to life and marries her. Subverting expectations, this artist/creation dynamic does not dominate the marriage plot of Emma and Mr. Knightley, but inste
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Casting Mr Collins; Or How a Zombie Film Returned Us to the Novel, is dismissed as silly, is at once obsessively formal but completely inappropriate, obsequious but constantly offending. It is fitting that ., a screen adaptation we initially overlooked, would leave us wondering what would happen if we took Mr Collins as seriously as he takes himself. What would th
发表于 2025-3-26 00:35:07 | 显示全部楼层
and ,: Laughter, Satire and the Impact of Form,c spirit that suffuses the film is lighter, brighter and far more sparkling than in the original. So, what is the understanding of Austen to which Stillman lays claim? We answer this question by exploring the intersection of humour and satire in Austen’s work, its relationship to an ironic perspecti
发表于 2025-3-26 05:11:48 | 显示全部楼层
Blog Softly and Carry a Big Cluebat,iction, zombies—the blog’s catchphrase was “She’s Everywhere.” I chose this niche because I felt a need for it in the fandom, pre-Facebook and Twitter, and also because I thought I did not have anything to add to the public perception of Austen’s books. As the blog has evolved, so has my interest in
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Book 2023ith Austen in different settings, and will help a comparative approach between the popular and the academic to emerge more fully in Austen studies. The book gathers insights from a range of contributors invested in new reading spaces in order to show the creative ways in which we are all adapting as we continue to read Austen’s works.
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