Titlebook: Audience Participation in Theatre; Aesthetics of the In Gareth White Book 20131st edition Palgrave Macmillan, a division of Macmillan Publi

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书目名称Audience Participation in Theatre影响因子(影响力)




书目名称Audience Participation in Theatre影响因子(影响力)学科排名




书目名称Audience Participation in Theatre网络公开度




书目名称Audience Participation in Theatre网络公开度学科排名




书目名称Audience Participation in Theatre被引频次




书目名称Audience Participation in Theatre被引频次学科排名




书目名称Audience Participation in Theatre年度引用




书目名称Audience Participation in Theatre年度引用学科排名




书目名称Audience Participation in Theatre读者反馈




书目名称Audience Participation in Theatre读者反馈学科排名

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Conclusion,vitation to join the action of a performance is made and accepted, the audience participant becomes material of a different kind, more carefully shaped and manipulated, more productive of signs and affects, more complex as a site of perception and action. To unpack some of this complexity (and inevi

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Book 20131st editionThis book asks that we consider the practices that facilitate audience participation on equal terms with other elements of the theatre maker‘s art; it offers a theoretical basis for this new approach, illustrated by examples from diverse participatory performances.

Abnormal

978-1-137-35463-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2013

SUGAR

https://doi.org/10.1007/978-3-322-83750-9 taking part in an audience participatory performance. These three questions present areas of uncertainty in the understanding of interactive artworks when we consider them alongside more conventional works. They are also concerned with the nature of the artwork, especially in relation to the contri

祸害隐伏

Martin K. Welge,Michael A. Peschkethe characters we watch most closely in audience participatory performance are often the people who perform, rather than the characters they portray. Audience participants are not professionals, so they do not put their reputations in jeopardy in the way that Goffman describes here, but they have re

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