Titlebook: Auden, MacNeice, Spender: The Thirties Poetry; Michael O’Neill,Gareth Reeves Textbook 1992Latest edition Michael O’Neill and Gareth Reeves

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,Spender (1) ‘The sense of falling light’,actising poet. Unfortunately, the clarity and candour of Spender’s prose have distracted attention from his more demanding poetry: poetry such as that contained in . (1933; second edition 1934) on which this chapter will concentrate.

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,Spender (2) ‘To will this Time’s change’,ising in February 1934, the year the poem was published) and . (a poetic drama published in 1938); finally, it looks at . (Spender’s last collection of the decade, published in 1939). Among other things, this last collection contains Spender’s most important poems about the Spanish Civil War, poems considered in Chapter 8.

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https://doi.org/10.1007/978-3-322-94565-5a? Was not Picasso on the side of the Government?)’.. Yet if the Civil War prompted writers to wear their ideological hearts on their sleeves, the best poetry in English to come out of it — much of which was composed by Auden, MacNeice and Spender — is often marked by inner divisions.

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he often creative quarrel in their work between a sense of poetry as autonomous art and an anti-modernist desire to communicate. The book does not allow the poetry to be subsumed within some impersonal historical Zeitgeist; instead it concentrates on the issue of poetic achievement, giving individua

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