Titlebook: Arts and Power; Policies in and by t Lisa Gaupp,Alenka Barber-Kersovan,Volker Kirchberg Book 2022 Springer Fachmedien Wiesbaden GmbH, part

向宇宙

On the History of the Blues in the Field of Music Production in the United States Beginning in the 2n particular in the ‘classic blues’ of the 1920s – had a far-reaching impact on various subfields of cultural production in the United States, whether in the form of ‘race records’ in the popular music segment or of the Harlem Renaissance, which was located in the literary-artistic field. A fundamen

反感

贫穷地活

笨重

ordain

“The Dead are Coming”. Contemporary Interventionist Art, Political Beauty, and the Power of Reasons outside the mainstream of the art world as the method of choice for artists with strong intentions to induce real changes in society. Most of them have very little impact since they either address very specific milieus that are confined to local communities or they get absorbed by the self-enclose

HUMP

Musical Interface Agendas. Musical Appropriation via Technological Pre-configurationic experiences and capacities of musical and creative expression potentials in musical practices. What is first established as a constructed naturalness of individual music practices is challenged and disrupted by the digitality-specific multiplicity of the musical interface complex (hardware/softwa

tympanometry

Who Plays? an Analysis of Musicians’ Global Mobility in the World Music Market, focusing on Glick Schiller and Salazar’s (Journal of Ethnic and Migration Studies 39(2): 183–200. 10.1080/1369183X.2013.723253, 2013) approach to regimes of mobility, in order to investigate how global mobility becomes part of musicians’ careers within unequal fields of globe-spanning power. An em

mettlesome

“When She Talks, I Hear the Revolution”: Pop Feminism Between Hegemony and Subalternityions. Pop feminism is understood to be part of the force relations within the State. It therefore plays an active part in the struggle for hegemony within civil society and can tie in with the common sense of subaltern groups. It can therefore develop subversive character—and at the very least builds necessary bridges between theory and praxis.