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Titlebook: Arts Management, Cultural Policy, & the African Diaspora; Antonio C. Cuyler Book 2022 The Editor(s) (if applicable) and The Author(s), und

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楼主: 调停
发表于 2025-3-26 23:56:03 | 显示全部楼层
File Structures for On-Line Systemsnt and cultural planning. Producing an arts policy and managing it may appear relatively easy in a homogeneous society, but in a multicultural society such as South Africa, this is likely to become complex and difficult. Faced with this challenge, this chapter examines the current documented cultura
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,“Filial Piety” and Cultural Difference,on of a westernized and racially white Nation have successfully implemented the myth of the disappearance of Afro descendants. This chapter addresses how Argentina’s political elite shaped the hegemonic narratives about national identity in Argentina, specifically in relation to its Afro component a
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,“Filial Piety” and Cultural Difference,ast decades. It takes into consideration the laws approved from struggle processes and historical claims, the contributions of its unfolding for this sector, and the recent situations of cultural precariousness in the country, which generate aggravation of the cultural, economic, and social fracture
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https://doi.org/10.1007/978-3-322-82594-0ated practices of arts management through which the cultural production of the Garífuna is undervalued and misappropriated, while simultaneously attempting to hispanicize Honduras’ Afrodescendant populations and fold them into the mythology of a . nation. Engaging with the question of how corporatio
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https://doi.org/10.1007/978-3-322-82594-0emporary visual arts practices of the region as performative strategies of arts management. Such artistry that I describe as counter-cultural-memory disseminated via networks of practitioners construct meaningful and effective modalities that should inform culturally specific arts management practic
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Filicide literature and research the historical context of change. One where cultural policy through programmes, funding streams, and position papers has shaped the arts and cultural landscape and the position of Black people within it. The aims of this chapter are to highlight the impact of the seminal report . by Khan (1976) as
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https://doi.org/10.1007/978-3-030-85810-0Arts management across Africa; Arts management across the African diaspora; African cultural policy; Af
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