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Titlebook: Arts Management and Cultural Policy Research; Jonathan Paquette,Eleonora Redaelli Book 2015 The Editor(s) (if applicable) and The Author(s

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发表于 2025-3-21 19:12:17 | 显示全部楼层 |阅读模式
期刊全称Arts Management and Cultural Policy Research
影响因子2023Jonathan Paquette,Eleonora Redaelli
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图书封面Titlebook: Arts Management and Cultural Policy Research;  Jonathan Paquette,Eleonora Redaelli Book 2015 The Editor(s) (if applicable) and The Author(s
影响因子This book aims to present concepts, knowledge and institutional settings of arts management and cultural policy research. It offers a representation of arts management and cultural policy research as a field, or a complex assemblage of people, concepts, institutions, and ideas.
Pindex Book 2015
The information of publication is updating

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Jacob P. Thyssen,Howard I. Maibachhful, reliable, or even worth considering? What are the grounds on which the voice of the researcher can be said to be distinct or different from the voice and claims being made by practitioners, journalists, or the general public?
发表于 2025-3-22 10:11:05 | 显示全部楼层
On Paradigms: From Epistemology to Epistemic Cultures,hful, reliable, or even worth considering? What are the grounds on which the voice of the researcher can be said to be distinct or different from the voice and claims being made by practitioners, journalists, or the general public?
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Jakob Mutanu Jungersted MD, PhDut the nature of cultural policy research, and by stating this we are only reiterating what is in evidence for most of us. In this chapter, we illustrate how cultural policy research is subjected to a multidisciplinary account.
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发表于 2025-3-23 04:18:26 | 显示全部楼层
Cultural Policy Research: Ideas, Institutions, and Interests,ut the nature of cultural policy research, and by stating this we are only reiterating what is in evidence for most of us. In this chapter, we illustrate how cultural policy research is subjected to a multidisciplinary account.
发表于 2025-3-23 06:52:40 | 显示全部楼层
Academic Beginnings: Arts Management Training and Cultural Policy Studies,ut rather occupies a transdisciplinary space. Nevertheless, academia remains central and we take it as our point of departure for an understanding of the field by investigating how arts management and cultural policy developed within this setting.
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