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Titlebook: Artistic Enclaves in the Post-Industrial City; A Case Study of Lawr Geoffrey Moss Book 2017 The Author(s) 2017 Contemporay Urban Life.Defin

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发表于 2025-3-21 18:21:06 | 显示全部楼层 |阅读模式
期刊全称Artistic Enclaves in the Post-Industrial City
期刊简称A Case Study of Lawr
影响因子2023Geoffrey Moss
视频video
发行地址Clarifies, builds on and amends Richard Florida’s comment that bohemian artists have become part of a larger creative class.Defines a new heuristic type, the artistic creative class enclave, and prese
学科分类SpringerBriefs in Sociology
图书封面Titlebook: Artistic Enclaves in the Post-Industrial City; A Case Study of Lawr Geoffrey Moss Book 2017 The Author(s) 2017 Contemporay Urban Life.Defin
影响因子This SpringerBriefs presents a case study and theoretical analysis of an artistic enclave that emerged within Lawrenceville Pittsburgh. It briefly describes the history of greater Pittsburgh, and Lawrenceville’s transition from thriving blue-collar community to depopulated low-income neighborhood to gentrifying site of artistic and creative culture. It draws on multiple methods (e.g., interviews, observations, and survey data) to discuss the advantages and disadvantages associated with being a Pittsburgh artist, and offer a detailed description of the origins and ongoing development of Lawrenceville’s artistic enclave. It discusses this enclave in the context of sociological, historical, and interdisciplinary work on urban artistic communities (i.e., bohemian and quasi-bohemian communities), and situates it within the larger urban artistic tradition, and within its contemporary urban context. It maintains that this enclave constitutes a successful (i.e., sustainable) example of anartistic creative class enclave, a heuristic concept that clarifies and amends Richard Florida’s brief commentary on contemporary urban artistic life. It concludes by offering policy suggestions for those
Pindex Book 2017
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发表于 2025-3-21 23:19:43 | 显示全部楼层
Self-Assembly in Mobile and Modular Robotsdings, and explain why I decided to draw on and amend the work of Richard Florida to analyze and illuminate these findings. I also note that Florida himself conducted his initial research on the creative class within the City of Pittsburgh. I conclude by building on Florida’s brief commentary on con
发表于 2025-3-22 03:18:28 | 显示全部楼层
Springer Series on Agent Technologyurces, and also utilize my field data and Art All Night Artist Survey data. I begin by presenting a brief overview of Pittsburgh’s transition from industrial to postindustrial city, and point out that it has not experienced widespread gentrification and astronomical increases in housing costs. I the
发表于 2025-3-22 05:11:17 | 显示全部楼层
Service Learning in a Helping Skills Coursean artists. I then discuss two influential works that proclaimed that bohemian culture has become thoroughly integrated with bourgeois culture, David Brooks ., and Richard Florida’s ., and explain why I decided to draw on the later work rathar than the former.
发表于 2025-3-22 09:09:36 | 显示全部楼层
Anita Glee Bertram,Brandon Burrfies and illustrates an .. I start by providing a brief overview and discussion of the neighborhood’s geographical characteristics, local historical context, and emergence as a community constituted by arts based gentrification. I then demonstrate that its artistic enclave has been centered on the a
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发表于 2025-3-22 22:15:40 | 显示全部楼层
Geoffrey MossClarifies, builds on and amends Richard Florida’s comment that bohemian artists have become part of a larger creative class.Defines a new heuristic type, the artistic creative class enclave, and prese
发表于 2025-3-23 01:57:25 | 显示全部楼层
发表于 2025-3-23 07:17:11 | 显示全部楼层
Springer Series on Agent TechnologyIn this chapter, I explain Richard Florida’s definition of the creative class, and discuss his controversial creative class thesis. I also discuss critical reactions to his work, offer my own critique of his work, and note that my use of his creative class perspective to inform the present project is highly selective.
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