Titlebook: Arthur Miller; Neil Carson Textbook 1982Latest edition Neil Carson 1982 Arthur Miller.contemporary literature.history of literature.litera

saturated-fat

Noisome

昏迷状态

The Crucible,tion in the course of which he is reduced to his essential, purified self. The movement of the play is reductive, stripping the central character of layers of protective covering until in the end he stands naked — totally exposed. It is a dramatic pattern very different from the conventional design

moribund

A View from the Bridge,nderstood. ., which he had written half in ‘laughter and joy’, had been received as a work of the direst pessimism. When in his next play, Miller deliberately set out to create a more articulate hero, he had little more success in communicating his ideas. Not one reviewer of the original production

落叶剂

chastise

离开真充足

,‘The Creation of the World and Other Business’ and ‘Playing for Time’,the intense financial pressures of Broadway. One cause of the perplexity which greeted this work is its unusual form and subject-matter. Having come to think of Miller as a realist, audiences were ill-prepared for the blend of whimsy and theology in this play reminiscent of medieval drama but of lit

SPALL

令人不快

The Price,purchased in the 1920s now seem of dubious value and beauty. The inevitable disagreement between the dealer’s assessment of what the furniture is worth and the family’s feeling of what they should get for it underlines the subjective nature of value and truth.

业余爱好者