Titlebook: Art, Religion and Resistance in (Post-)Communist Romania; Nostalgia for Paradi Maria Alina Asavei Book 2020 The Editor(s) (if applicable) a

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Maria Alina AsaveiConsiders how artists have refashioned the meanings and purposes of religious art for political ends during and after communism.Spans the fields of contemporary history, political theory, history of r

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Book 2020on functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the

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Art, Politics and Religion in (Post-)Communist Romania: An Introduction,religious inspiration alludes to a peculiar form of cultural memory—longing for a spiritual state of humankind (a symbolic Paradise Lost)—that can also be employed as a revitalization of the soul against a background of atomization and alienation of modern lifestyle, overlapping injustices, political violence and economic precariousness.

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The Body in (Post-)Communist Art: A Site of Salvation and Resistance,ituals and sacraments but also of the realization of the highest human potentiality for freedom and salvation of the soul through “self-care” that does not preclude the care for other human beings. For the artists discussed in this chapter . takes precedence over ..

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Book 2020 religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe.  .

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Thermal and energy properties in processing,the pretension of offering an exhaustive list: for example, “cultural resistance” understood as critical complicity with the official canon of cultural production; “cultural resistance” understood as (religious) art collecting and resistance through the art of religious inspiration.