Titlebook: Art and Politics under Modern Dictatorships; A Comparison of Chil Caterina Preda Book 2017 The Editor(s) (if applicable) and The Author(s)

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,The Two Modern Dictatorships in Romania and Chile 1970s–1989,ower that was achieved by the two leaders, their economic models, and the repressive systems they enforced. Paradoxically, both regimes led to the formation of atomized societies where the citizens were enclosed in private spaces. The Ceaușescu regime was characterized by extreme personalization of

BROOK

Art Should Be Apolitical: Official Art in Chile,assed by the regime (nationalist-authoritarian, traditional Catholicism, conservative, and neoliberalism). These diverse groups were united by the requirement that art be apolitical. Each of these coordinates is visible in explicit directions followed by the regime, which included the erasure of the

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Dorsal-Kyphosis

Ingratiate

Alternative Art in Romania: Aesthetic Resistance,tive artistic expressions that did not respect the official canon, and which developed diverse types of aesthetic resistance. They include “resistance through culture,” or aestheticism; a range of formal innovations that were tolerated because of their ambiguity; accidental forms of subversion, as i

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A Model for Comparative Analysis of Art and Politics in Dictatorships,ng requirements of the regimes—that art be politicized, and that art be apolitical—were met with different reactions from the artists, which ranged from support or resistance to creating alternative meanings and possibilities of understanding the reality outside the dichotomy proposed by the two reg

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