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Titlebook: Art and Politics in Roger Scruton‘s Conservative Philosophy; Ferenc Hörcher Book 2023 The Editor(s) (if applicable) and The Author(s), und

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楼主: melancholy
发表于 2025-3-25 05:43:31 | 显示全部楼层
Kenotic Ethics and SETI: A Present-Day View state of affairs in politics, and a rather courageous attempt to make an impact on the thought of his day by popularising the political thought of conservatism, which was at the time lagging behind both in the ideological competition and in the theory-building efforts of academia.
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Introduction: Politics, Art and Philosophy, describes the human being engaged in artistic activity, fascinated by beauty. This book tries to make sense of these two major themes of the philosopher. Politics and art can be viewed both as separate forms and as overlapping spheres of human activity. This first chapter is an introduction, about the relationship of philosophy, politics and art.
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Introduction: Politics, Art and Philosophy,. Both of these philosophies address a form of human activity: political philosophy focuses on the ., the political being, while the philosophy of art describes the human being engaged in artistic activity, fascinated by beauty. This book tries to make sense of these two major themes of the philosop
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The Political Philosophy of Conservatism (,),ment in ideological struggles, journalism and political activism. These elements define this part of his life as a ., an active confrontation with the state of affairs in politics, and a rather courageous attempt to make an impact on the thought of his day by popularising the political thought of co
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The Theory of Art and Culture,less well known to the general reader. It is therefore worth emphasising that his frame of mind can be better understood as fundamentally that of a philosopher of art and a cultural critic, while his conservatism is, in a way, only a side product, partly determined by his views on art (particularly
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From the Philosophy of Art to Metaphysics (Vita Contemplativa), hand in aesthetics. While he is best known around the world for his pronounced conservative political philosophy, his main personal scholarly interest was in the theory of art. In his overall history of Modern Aesthetics, Paul Guyer could confidently claim that: “After Wollheim, the most significan
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,Conclusion. The Duality of Scruton’s Philosophy of Politics and Art,ve philosopher of the turn of the century, focusing on his characteristic parallel interest in the arts and politics. The framework of this introduction was built around the classical distinction between a life lived in action and one lived in reflection. Our claim made about action and reflection w
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