Titlebook: Art and Life in Modernist Prague; Karel Čapek and his Thomas Ort Book 2013 The Author(s) 2013 Europe.fascism.rationalism.space.writing

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Prague 1911: The Cubist City, cubism.”. Paris, it goes without saying, is cubism’s first city and capital, but the style was embraced in Prague with a vigor unmatched in Europe outside of France. In 1911, a group devoted to the defense and promotion of the new art, the Skupina výtvarných umělců or Visual Artists Group, was foun

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,The Lessons of Life: Karel Čapek and the First World War,36), and wars are waged time and again in his other major works. Alongside ., the plays of the 1930s, . (1937) and . (1938), grapple directly with war or the threat of war. All of these late works were responses to the deterioration of the international situation in Europe in the 1930s, specifically

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,The Self as Empty Space and Crowd: Karel Čapek and the Czechoslovak Condition,ive faiths could be had by the dozen, when new messiahs were being unveiled in every political quarter, but when, from the relatively peaceful haven of Czechoslovakia’s First Republic, a violent struggle among them did not as yet appear imminent. Čapek’s novel, culminating in an apocalyptic war of a