Titlebook: Art and Analysis; An Essay toward a Th Edward G. Ballard Book 1957 Springer Science + Business Media B.V. 1957 aesthetics.concept.experienc

CLAY

palpitate

Psychology of the Contemplative State, objective conditions of the work. These have been discussed. But what, exactly, can be meant by ‘significance’? The . form is evidently an object or is embodied in an object which is well organized in a formal sense and which possesses in addition a certain . in virtue of which it is valued intrins

水土

LANCE

被诅咒的人

Imitation and Catharsis,may be, as I have suggested, that this change follows a rather definite pattern. Evidently the individual recapitulates this — or a portion of this — development during his own history. Further each occasion of appreciation is an activity which moves through a characteristic cycle of development. Th

Nomogram

Art Within the Limits of Faith,its of our assumptions regarding value and the nature and function of analogy. It will be appropriate to inquire more specifically into the means used by particular arts in order to achieve the communication of their own varieties of aesthetic value. It should be understood that this problem concern

prick-test

The Relation of Metaphysics to Aesthetics, completely autonomous discipline, and others believe it to be a part and parcel of metaphysics. A quite defensible view is that aesthetics is in part derivative from metaphysics, since it uses a specialized form of certain notions which are discussed and presumably defined in metaphysics. In turn a

Urgency

高射炮

Mucosa

The Aesthetic Experience,stood? We may approach an answer to this question by a brief consideration of the play theory of art, for this will lead to reflection upon the imagination through which the appreciator establishes a relationship to the object appreciated.