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Titlebook: Art after the Hipster; Identity Politics, E Wes Hill Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Hipster.Identity Politi

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发表于 2025-3-21 18:07:54 | 显示全部楼层 |阅读模式
期刊全称Art after the Hipster
期刊简称Identity Politics, E
影响因子2023Wes Hill
视频videohttp://file.papertrans.cn/162/161815/161815.mp4
发行地址Examines the hipster in terms of fundamental debates about aesthetics and ethics in contemporary art and visual culture.Investigates the unique paradoxes of the term “hipster”, which is at once an aes
图书封面Titlebook: Art after the Hipster; Identity Politics, E Wes Hill Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Hipster.Identity Politi
影响因子This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire’s flâneur to the contemporary “creative” borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the “foot soldiers of capitalism”, the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform—a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in
Pindex Book 2017
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发表于 2025-3-22 00:11:01 | 显示全部楼层
or populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in 978-3-319-88623-7978-3-319-68578-6
发表于 2025-3-22 01:25:23 | 显示全部楼层
que paradoxes of the term “hipster”, which is at once an aesThis book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire’s flâneur to the contemporary “creative” borne from creative industries policies. It claims that the recent ubiq
发表于 2025-3-22 08:23:44 | 显示全部楼层
Book 2017mporary “creative” borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to t
发表于 2025-3-22 10:53:42 | 显示全部楼层
https://doi.org/10.1007/978-3-319-68578-6Hipster; Identity Politics; Artiness; Ethics and Aesthetics; Global Contemporary Art
发表于 2025-3-22 13:30:37 | 显示全部楼层
978-3-319-88623-7The Editor(s) (if applicable) and The Author(s) 2017
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发表于 2025-3-22 22:40:47 | 显示全部楼层
Conclusion,tity politics. In its prioritization of socio-political identification, art and culture can end up sealing such identities, the effects of which are seen in the rise of left-wing censorship and the broad perception of a causal relationship between ethical intention and community consensus.
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