Titlebook: Art History for Comics; Past, Present and Po Ian Horton,Maggie Gray Book 2022 The Editor(s) (if applicable) and The Author(s), under exclus

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书目名称Art History for Comics影响因子(影响力)




书目名称Art History for Comics影响因子(影响力)学科排名




书目名称Art History for Comics网络公开度




书目名称Art History for Comics网络公开度学科排名




书目名称Art History for Comics被引频次




书目名称Art History for Comics被引频次学科排名




书目名称Art History for Comics年度引用




书目名称Art History for Comics年度引用学科排名




书目名称Art History for Comics读者反馈




书目名称Art History for Comics读者反馈学科排名

Aerophagia

Georg Simonis (Professor),Helmut Elbersthe Société civile d’études et de recherches des littératures dessinées (SOCERLID) in the 1960s, advocated the academic study of comics as an artistic medium that could be directly linked to both historical art traditions and contemporary art practices. In the exhibition catalogue published in 1967

arabesque

观点

Georg Simonis (Professor),Helmut Elbersal empirical approaches grounded in substantive documentary research (inflected by Ernst Gombrich’s emphasis on Cultural History), it marked an increasing focus on social contexts of production and reception, questions of ideology, class, and the relevance of art-historical research to contemporary

defray

Helmut Elbers,Carina Fiebich-Dinkel Claude Moliterni’s contribution to the 1967 exhibition catalogue . in which he deconstructed the medium by focusing on its formal features. In taking a formalist approach, Moliterni predates the form-focused accounts of figures like Will Eisner and Scott McCloud. The contribution of the art critic

Measured

Externe Evaluierung durch Peer Reviewing on Bart Beaty and Benjamin Woo’s critical evaluation of canon formation in Comics Studies it explores how these art-historical concepts have subsequently been applied and revised over time. It considers how the concepts of style and schools have been used to define and evaluate the canonical sta

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transdermal

Externe Evaluierung durch Peer Review implicit application of models of the avant-garde in formalist analyses of the medium, the subtleties of debates about this historical and conceptual category have not been accounted for in any detail. This chapter examines how the relationship between practices designated “mainstream” and “alterna