Titlebook: Art Discovery and Censorship in the Centre William Rappard of Geneva; Building the Future Edmundo Murray Book 2023 The Editor(s) (if applic

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en diplomacy and art in a century-old building.Illustrates tThis is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and instit

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https://doi.org/10.1007/978-1-349-22453-1 architect George Épitaux objected and the painting was hidden under dark wooden panels. No consideration was given to the status of official gift by the Spanish government and to the various messages embedded in this work of art.

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https://doi.org/10.1007/978-1-4614-4936-2ons, Roger Praplan, proceeded to remove and cover major works of art, including those by Albert Hahn Jr., Gustave-Louis Jaulmes and Dean Cornwell. As a result, these works were hidden during decades and mostly forgotten from collective memory.

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1926: Metaphors of Hope,ation systems. The organization inspired authors such as Alice Rivaz, Alfred Benson and Albert Cohen to create fictional stories and characters. A new frontier between public and private art determined the fate of the artworks in the building.

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,1977: “Profane, sentimentalist, almost human”—The GATT Secretariat in the Centre William Rappard,ons, Roger Praplan, proceeded to remove and cover major works of art, including those by Albert Hahn Jr., Gustave-Louis Jaulmes and Dean Cornwell. As a result, these works were hidden during decades and mostly forgotten from collective memory.

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