Titlebook: Art Crime; Terrorists, Tomb Rai Noah Charney Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Art crime.art theft.art and ter

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书目名称Art Crime影响因子(影响力)




书目名称Art Crime影响因子(影响力)学科排名




书目名称Art Crime网络公开度




书目名称Art Crime网络公开度学科排名




书目名称Art Crime被引频次




书目名称Art Crime被引频次学科排名




书目名称Art Crime年度引用




书目名称Art Crime年度引用学科排名




书目名称Art Crime读者反馈




书目名称Art Crime读者反馈学科排名

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Left-Atrium

Connoisseurship All the Way Down: Art Authentication, Forgery, Fingerprint Identification, Expert Knin the case of the painting, what kind of expert should you trust?. An art historian, a forensic art expert, or a fingerprint examiner with expertise in detecting fingerprint forgeries? This question has been raised in disputes over art authentication since as early as the 1930s.. An engaging articl

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The Police Investigation of Art Fraudthey do today. Over the years, our attitude to collecting art has changed, as has our attitude to fraud. Police investigative methods have evolved, but criminals have been quick to respond, both to trends in the market and to police methods of identifying “a wrong one.”

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玉米棒子

The Theft, Recovery and Forensic Investigation of Leonardo da Vinci’s Madonna of the Yarnwinderini family, and haunted by the shade of a famous daughter known as Mona Lisa, when Thereza Wells, my former research student and co-author, called to report the theft of the Duke of Bucceluch’s treasured Leonardo painting, the ., from Drumlanrig Castle in the Scottish borders. The news is as yet haz

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厌烦

The Role of the Police in the Co-Production of Art Security in Londonms with more than a million annual visitors.. In the UK, there are 28.6 million visits every year to locations run by the National Trust, English Heritage and the Historic House Association. Furthermore, with 18% of the global auction house market in 2012 (Artprice.com), London is a crucial hub alon

先兆

Looting of Antiquities: Tearing the Fabric of Civil Society core values. The entire international community is suffering from the disavowal of the courageous achievements of modern culture. When my colleagues and I launched a campaign to save cultural heritage under attack in Syria,. along with Paolo Matthiae, we did not want to defend a dictator — Assad —