Titlebook: Arnheim, Gestalt and Media; An Ontological Theor Ian Verstegen Book 2018 The Author(s), under exclusive licence to Springer Nature Switzerl

PLY

书目名称Arnheim, Gestalt and Media影响因子(影响力)




书目名称Arnheim, Gestalt and Media影响因子(影响力)学科排名




书目名称Arnheim, Gestalt and Media网络公开度




书目名称Arnheim, Gestalt and Media网络公开度学科排名




书目名称Arnheim, Gestalt and Media被引频次




书目名称Arnheim, Gestalt and Media被引频次学科排名




书目名称Arnheim, Gestalt and Media年度引用




书目名称Arnheim, Gestalt and Media年度引用学科排名




书目名称Arnheim, Gestalt and Media读者反馈




书目名称Arnheim, Gestalt and Media读者反馈学科排名

缝纫

KIN

Colonnade

预感

floaters

Defining Difference in Media,resting because they routinely package and reproduce sets of determinacies. Determinacies are schematic guidelines for how media in general and individual medial works, in particular, may be interpreted.

证实

The Two Elementary Classes of Aesthetic Objects: Spatial and Temporal Modalities,uently, each class has wholesale differences in kinds of in/determinacy. Spatial arts excel at capturing determinacies of permanence and temporal arts supply the determinacies of change. Invoking Arnheim’s categories, spatial arts are more “self-images” than “likenesses.” Just because ontology presc

Measured

Medial Composites,ir hierarchical arrangement or its subversion, more discussion is given to the ways in which the three temporal modalities can be combined – what each gains, and based on their characteristics, what issues arise as to their successful combination. Finally, a case study of the contemporary graphic no

ostrish

https://doi.org/10.1007/978-94-6300-154-0stent aspects of media without erecting a rigid and reductive system. Indeed, the conflation of the possession of powers with their actualization confuses the description of a medium and the norm of its use.

ARCH