Titlebook: Appropriation as Practice; Art and Identity in Arnd Schneider Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2006 culture

军械

书目名称Appropriation as Practice影响因子(影响力)




书目名称Appropriation as Practice影响因子(影响力)学科排名




书目名称Appropriation as Practice网络公开度




书目名称Appropriation as Practice网络公开度学科排名




书目名称Appropriation as Practice被引频次




书目名称Appropriation as Practice被引频次学科排名




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书目名称Appropriation as Practice年度引用学科排名




书目名称Appropriation as Practice读者反馈




书目名称Appropriation as Practice读者反馈学科排名

cognizant

Copy and Creation: Potters, Graphic Designers, Textile Artists,unded, autonomous person. The critique of this concept from within anthropology was built both on work on specific ethnographic areas, such as Melanesia and Amazonia, and recent parallel work in Western societies.

阉割

tic practices in the appropriation of indigenous cultures, and the construction of new Latin American identities. Appropriation is the fundamental theoretical concept developed to understand these processes.978-1-349-53440-1978-1-4039-8317-6

PANIC

Erfolgreiches ProduktmanagementThis study starts from a paradox. What motivates artists in a nation largely made up of descendants of European immigrants to occupy themselves with indigenous art, both of their own country and of other parts of Latin America?

Memorial

弯弯曲曲

https://doi.org/10.1007/978-3-658-10669-0One common sense of cinema is that of an extreme, hyper-real construction of reality. Field sites do not seem to escape this fate, and in due course become locations, and in turn locations become sites of fieldwork.

Chivalrous

Erfolgreiches ProduktmanagementIn this chapter I continue to explore artistic practices of appropriation and creation. Here the emphasis is on the “research” strategies artists employ in the appropriation of indigenous cultures. I focus on the work of one particular artist, Teresa Pereda, whose project . I followed over a period of six months during my fieldwork in 1999/2000.

古文字学

钝剑

gene-therapy

Setting up Roots: On the Set of a Cinema Movie in a Mapuche Reservation,One common sense of cinema is that of an extreme, hyper-real construction of reality. Field sites do not seem to escape this fate, and in due course become locations, and in turn locations become sites of fieldwork.