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Titlebook: Anticipatory Materialisms in Literature and Philosophy, 1790–1930; Jo Carruthers,Nour Dakkak,Rebecca Spence Book 2019 The Editor(s) (if ap

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发表于 2025-3-21 19:03:26 | 显示全部楼层 |阅读模式
期刊全称Anticipatory Materialisms in Literature and Philosophy, 1790–1930
影响因子2023Jo Carruthers,Nour Dakkak,Rebecca Spence
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发行地址Demonstrates that various manifestations of materiality, including embodied and sensory experiences, are explored in complex ways in nineteenth-century writings.Studies writers including George Eliot,
图书封面Titlebook: Anticipatory Materialisms in Literature and Philosophy, 1790–1930;  Jo Carruthers,Nour Dakkak,Rebecca Spence Book 2019 The Editor(s) (if ap
影响因子.Anticipatory Materialisms. explores nineteenth and early twentieth-century literature that.anticipates and pre-empts the recent philosophical ‘turn’ to materiality and affect. Critical volumes that approach literature via the prism of New Materialism are in the ascendence. This collection stakes a different claim: by engaging with neglected theories of materiality in literary and philosophical works that antedate the twenty-first century ‘turn’ to New Materialism and theories of affect, the project aims to establish a dialogue between recent theoretical considerations of people-world relations in literature and that which has gone before. This project seeks to demonstrate the particular and meaningful ways in which interactions between people and the physical world were being considered in literature between the nineteenth and early twentieth centuries. The project does not propose an air of finality; indeed, it is our hope that offering provocative and challenging chapters, which approach the subject from various critical and thematic perspectives, the collection will establish a broader dialogue regarding the ways in philosophy and literature have intersected and informed each o
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发表于 2025-3-21 21:54:53 | 显示全部楼层
Mountain Matter(s): Anticipatory Cartographies in Nineteenth-Century Mountain Literaturehree forms of mapping: the paper documents carried as navigational tools, the texts produced about upland experiences, and the body. It focuses on four writers’ accounts of their travels through upland landscapes: Dorothy Wordsworth, Samuel Taylor Coleridge, John Ruskin and Elizabeth Le Blond. These
发表于 2025-3-22 03:32:01 | 显示全部楼层
Materiality, the Recessive Body and Wordsworth’s Sonnets “To Sleep”ons of the Cartesian distinction which privileges the mind over the body—particularly how in states of pain and tiredness Descartes regarded the body as obstructing the soul. Then I offer a close reading of the sonnets which is informed by Jane Bennett’s partial approval of Darwinian anthropomorphis
发表于 2025-3-22 08:31:58 | 显示全部楼层
Anticipating New Materialisms Through Schelling’s Speculative Physicsformalist theories of matter such as Kant’s and dynamic theories of matter inspired by Spinoza. The contributions that Friedrich Schelling’s . has made to this debate have been overlooked. In the . Schelling advances a framework he calls speculative physics, which argues that the most basic substrat
发表于 2025-3-22 11:51:57 | 显示全部楼层
Vibrant Textuality: Material Texts and Romantic Anticipations, it looks to some Romantic anticipations of such textual engagements, in a bid to challenge the supposed anti-Romanticism of McGann’s influential argument. Over the course of the chapter, I consider Joseph Cottle and Robert Southey’s editorial work on Thomas Chatterton; I draw attention to Thomas D
发表于 2025-3-22 13:56:58 | 显示全部楼层
“The Impatient Anticipations of Our Reason”: Rough Sympathy in Friedrich Schiller and Charlotte Bron traced through her learning of an attitude of patient anticipation towards her vital, vibrant world, most poignantly expressed in her appreciation of the rough Rochester. Schiller’s aesthetic theory celebrates the “.” as the natural man, responsive to the world and characterised by the quality of t
发表于 2025-3-22 20:33:26 | 显示全部楼层
Mobile Materiality: The Great Exhibition of 1851 and the Mobile-Material Relations of Henry Mayhew’slity, Henry Mayhew’s .. Written in the year of the Great Exhibition of 1851, the novel resonates with contemporary concerns about the materiality of mobility, the mobility of material culture and the status of the human in a world overrun by objects on the move. In so doing, it provides ways of reth
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Praying Kin: Christina Rossetti and the Unity of Thingsreation’s interdependence. With reference to her reading of Revelation, . (1892), and poetic setting of the Benedicite prayer, “‘All Thy Works Praise Thee, O Lord’: A Processional of Creation” (1881), the chapter suggests that Rossetti developed a model of how to prayerfully read and relate to creat
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